The Count of Saint Germain — whose real name and origins remain unknown — first appeared in European society around 1745 and was active at the highest levels of European aristocracy until approximately 1784, when records of his physical presence cease. He was a man of extraordinary accomplishment: fluent in apparently every European language, a virtuoso violinist and harpsichordist, a painter of unusual technique (he mixed phosphorescent material into his paints to give jewels in his paintings an inner glow), a chemist and alchemist of practical skill, and a conversationalist of such brilliance that he was welcomed at courts where most men spent years seeking access.
What made him truly remarkable — and what made contemporaries suspect he was something other than an ordinary man — was his apparent agelessness and his claims about his own history. Voltaire described him as "a man who never dies and knows everything." The Countess von Georgy, who had met him in Venice in 1710, encountered him again at Versailles in 1760 — still apparently the same age. When she expressed astonishment, he confirmed he had been in Venice fifty years earlier. He claimed to be over five hundred years old. He spoke of historical events as personal memories. He produced flawless diamonds of unusual clarity that he claimed to have made himself.
His actual death date is officially recorded as 27 February 1784 in Eckernförde, Germany — where he had been working as an alchemist for Prince Charles of Hesse-Cassel. But reports of his presence continued after this date: he was allegedly seen at a Masonic conference in Paris in 1785, and Madame de Adhémar claimed to have met him in 1789 on the eve of the French Revolution, at which he had warned her of the coming catastrophe. Whether these post-death appearances are true, embellished or invented, they established a pattern that continues to the present day: Saint Germain appearing to warn, guide and initiate those at crucial historical moments.