Roman Mithraism centres on Mithras, a god depicted in nearly identical fashion across the empire: wearing a Phrygian cap, plunging a dagger into the neck of a bull, watched by a raven, a dog, a serpent and a scorpion. This central image β the tauroctony, or "bull-slaying scene" β appears in virtually every Mithraic temple discovered, from Britain to Syria, with remarkable visual consistency.
The god's name is borrowed from Mithra, an ancient Persian deity of covenant and light known from Zoroastrian tradition, and earlier Roman scholarship (particularly the influential work of Franz Cumont in the early 20th century) argued that Roman Mithraism was a direct continuation of Persian religion carried west. This "Persian hypothesis" has been substantially challenged since the 1970s: many scholars now argue that Roman Mithraism was a largely new Roman religious invention, using Persian imagery and a Persian-sounding name to lend the cult an exotic, ancient-seeming authority it did not literally possess.
Mithraism spread rapidly through the 1st to 3rd centuries CE, carried particularly by Roman soldiers, merchants and imperial administrative staff β the mobile professions of empire. Membership was exclusively male. Worship took place in a mithraeum, a small, deliberately cave-like underground or windowless chamber, with stone benches lining both walls where initiates reclined for communal ritual meals, the tauroctony relief positioned at the far end.